Wed, 17th September 2014
The music industry contributed £3.8bn to the UK economy in 2013 according to a report published by UK Music. Measuring Music shows the contributions made by various parts of the industry, including £436m from the music publishing sector, an increase of 8% on the previous year. Publishers continue to build upon the popularity of British music on the global market, delivering 11% growth in exports to £562m. The figures are based on a survey of its members conducted by the MPA. ...
Mon, 18th August 2014
Music companies and individuals interested in exploring opportunities overseas can gain insight into some of the world’s biggest and most influential trade and showcase events, thanks to a touring roadshow from UK Trade and Investment (UKTI).
Guest speakers include Una Johnston (SXSW), Javier Lopez (MIDEM) , Phil Patterson (UKTI) and guests from UKTI overseas plus various trade associations and collection societies.
The events will include short presentations from representatives of each event...
Wed, 30th July 2014
AIM Startups is designed to help creative startups off to a good start. As part of their program they offer access to funding, mentoring, training, networking events and on-going support.
Creative businesses have faced significant difficulties in accessing finance since the beginning of time, relying on grant funding that comes with very strict eligibility criteria and high competition. Now there’s AIM Startups: affordable, unsecured startup loan designed to fund initial costs to get your...
Tue, 24th June 2014
MPA holds AGM at Royal Institution, London
Sarah Osborn calls on YouTube to negotiate fairly with rights holders
Chris Butler highlights the contribution music publishers make to the UK economy
MPA Gold Badges awarded to Sally Groves and Peter Barnes
The Music Publishers Association (MPA) held its Annual General Meeting today, Tuesday 24 June 2014, at the Royal Institution in London.
Speeches to the AGM
The formal business of the AGM included reports from MPA Chairman Chris Butler, MPA Chief...
Thu, 15th May 2014
Following a successful inaugural year, the Music Publishers Association (“MPA”) is delighted to announce it will be running its Graduate Certificate in Editorial and Production again in 2014.
The Course is the only one of its kind in the UK. Designed by music publishers and delivered by highly experienced industry experts, it provides comprehensive training for those starting or developing a career in editorial and production of printed music products.
Running from September 2014 to...
Mon, 28th April 2014
In accordance with Articles 59 and 60 of the Articles of Association of the MPA the following six Elected Directors are required to retire at the 2014 AGM, to be held on Tuesday 24 June 2014, 2.00pm approx at The Royal Institution, 21 Albemarle Street, London W1S 4BS:
Peter Barnes (Pink Floyd Music Publishers Ltd)
Sally Groves (Schott Music Ltd)
Linda Hawken (Peters Edition Ltd)
Andy Heath (4AD Music Ltd)
Andrew King (Mute Song Ltd)
Paulette Long (Long Term Music Ltd)
All are eligible for re-...
Fri, 4th April 2014
SUNDAY APRIL 6TH,GIACONDA CAFÉ, DENMARK ST, LONDON, WC2 H8LS
The street known as ‘Tin Pan Alley’ – the traditional focal point of Britain’s music industry – gets a gong and a song this Sunday April 6 at 12 Noon.
Music industry glitterati – will gather in Denmark Street for the unveiling of a hi-tech Blue Plaque containing audio, video and a 10,000 word wiki style history of music. The street has played a pivotal role in British musical heritage – and was a focal point for writers,...
Mon, 24th March 2014
Applications for the 10th annual Los Angeles Sync Licensing Mission jointly hosted by BPI, the Music Publishers Association and UK Trade and Investment and taking place from 2 – 6 June are now open.
Held in the heart of Hollywood at the iconic Capitol Records, the Sync Mission provides record labels, publishers, songwriters, composers, artists and managers with the opportunity not only to gain an exclusive insight into the way sync licensing works in the US but also to meet and network with...
Thu, 13th March 2014
Printed Music Licensing Limited (PMLL) was set up to operate the Schools Printed Music Licence, which permits schools, under certain conditions, to copy and arrange sheet music. All publishers with an interest in printed music rights are reminded that they can apply to join PMLL and can potentially share in its distributions. This applies to printed music publishers and to those with a third party print licensing agreement in place.PMLL's first distribution was made at the end of 2013, with a...
Thu, 16th January 2014
12 UK copyright collecting societies - or as they prefer to be known these days Collective Management Organisations (CMOs) - have through the British Copyright Council (BCC) launched an independent review of how their codes of conduct are working.
In recognition of the importance of good governance, clarity and transparency, the British Copyright Council developed a policy framework to establish a common set of principles of good practice which provided a set of minimum terms to be used by UK...
Mon, 16th December 2013
UK Music has today (Monday 16 December) released an in-depth report into the music industry’s contribution to the UK economy. The total contribution of £3.5bn is made up of £1.6bn from musicians, composers and songwriters, £634m from recorded music, £662m from live music, £402m from music publishing, £151m from music representatives, and £80m from music producers and recording studios. These values represent gross value added (GVA) by the various sectors, as distinct from overall revenues.
Thu, 5th December 2013
The MPA has appointed Sarah Osborn as its Chief Executive, effective immediately. Sarah succeeds Stephen Navin who departed the post at our AGM in June. As Chief Executive Sarah becomes a director of the MPA and also joins the Board of UK Music, the umbrella body for the UK’s commercial music industry.
Sarah joined the MPA as General Manager in April 2012 having previously been at Schott Music, where she worked for 8 years, rising through the ranks to become Head of Contemporary Music. Since...
Wed, 27th November 2013
The Board of the Mechanical-Copyright Protection Society (“MCPS”) has appointed Jane Dyball to the newly created post of Chief Executive, effective from 1 January 2014. The appointment of a Chief Executive to MCPS follows the restructuring of the MCPS-PRS Alliance in July 2013 which sees MCPS contract the Performing Right Society (“PRS”) to provide royalty processing and other administrative services under a service level agreement. Jane will oversee the strategy for the licensing...
Mon, 7th October 2013
On 8 October the Music+Sound Awards 2014 officially open for entries. For a third year, the music and sound communities will come together to stage this pioneering competition, celebrating creative excellence in music and sound design in the media.There are 31 categories in three sections, Best Original Composition, Best Sound Design and Best Sync / Use of Existing Music. The awards will be building on the success of previous competitions and this year’s successful entrants will join the...
Mon, 7th October 2013
The Copyright Licensing Steering Group (CLSG) was established by the creative industries to take forward recommendations from Richard Hooper and Dr Ros Lynch’s Copyright Works report. Twelve months on the Group have published a progress report, surveying milestones on the road to streamlining copyright licensing.Initiatives identified in Streamlining Copyright in the Digital Age include the launch of a pilot phase of the Copyright Hub in July and the planned introduction of two new joint music...
Mon, 7th October 2013
The recently published Supporting The Creative Economy report contains much in the way of sensible suggestions.Making the headlines has been the Committee's condemnation of Google's "failure...to provide an adequate response to creative industry requests to prevent its search engine directing consumers to copyright-infringing websites. The continuing promotion by search engines of illegal content on the internet is unacceptable. So far, their attempts to remedy this have been derisorily...
Wed, 7th August 2013
To help UK companies who are considering attending or applying for artists to perform showcases at midem or SXSW, UK Trade & Investment (UKTI) and the ‘British Music Partnership’ organisations are working with regional partners around the UK to deliver a series of briefing sessions. Come along and find out:
what goes on at midem and SXSW – which event is right for you and are you ready
what the opportunities are and how to prepare for the event
how to apply to to showcase or attend...
Thu, 25th July 2013
The Copyright and Duration of Rights in Performances Regulations 2013 were laid in Parliament on 18 July 2013. The statuatory instrument which implements the EU Copyright Term Extension Directive comes into force on 1 November 2013.
The directive extends the term of protection for performers and sound recordings to 70 years, and was adopted on 12 September 2011. The new regulations also harmonise the method of calculating the term of protection of songs and other musical compositions with words...
Wed, 10th July 2013
The Copyright Hub has launched a consultation pilot which can be found at www.copyrighthub.co.uk.
The creation of a digital copyright exchange (DCE) was recommended by Professor Hargreaves as part of his review of IP and growth. Richard Hooper then carried out a feasibility study looking at ways of making copyright licensing more fit for purpose for the digital age.
The Copyright Hub is envisioned as a web portal connected to a network of organisations from the audio-visual, publishing, music...
Wed, 10th July 2013
UK Music and Creative & Cultural Skills have launched the UK Music Skills Academy, part of the National Skills Academy for Creative & Cultural.
The Academy will build an infrastructure enabling the music industry to engage directly with skills and training providers. This will allow music businesses to directly influence the training of their future workforce, and will create an easier mechanism for employers looking to take on apprentices.
The Academy will: