Issue 5, Q4 2008
For publishers, placing songs on TV shows and films has become one of the most important ways to gain exposure for their writers. Achieving the rare feat of having a track on a show that travels the world can make a major difference in the career of an artist and significantly improve the bottom line of their publisher.
In this issue we explore the fine art of song plugging in the capital of film and TV – Hollywood – courtesy of Melinda Newman, former Los Angeles bureau chief at Billboard. She guides us through the business of song pitching, profiles ten of the most influential music supervisors and also gives a few tips to all those aspiring to have their tracks considered for inclusion in a
show. It’s a must-read for any publisher in
the world.
We also take a look at the land Down Under, which has constantly provided the world with top-class artists. Brisbane-based Lars Brandle takes a wide-angle view of his homeland and suggests a few acts currently
making some noise in Australia who deserve
global exposure.
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